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Eddie
Muller Presents: |
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NOIR
CITY 2: The 2nd Annual San Francisco Film Noir Festival |
"This
Time, the Women are on Top" |
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January
16 - 29, 2004 |
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Film
Program and Times |
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Friday,
January 16 Ann Savage In Person! |
_____ |
Detour |
8:00 |
1945,
PRC. 69 min. Dir. Edgar G. Ulmer. |
Tom
Neal, Ann Savage. This tawdry masterpiece is for many the ultimate
expression of noir fatalism. On his way to Hollywood, a lovelorn sap
picks up the hitchhiker from Hell. Ann Savage is unforgettable as
scheming, consumptive Vera. Discussion and Q&A with Ms. Savage
following the film. |
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Saturday,
January 17 James M. Cain & the Queens of Noir |
_____ |
Double
Indemnity |
1:00,
5:15, 9:40 |
1944,
Paramount. 106 min. Dir. Billy Wilder. |
Fred
MacMurray, Barbara Stanwyck,
Edward G. Robinson. The ne plus ultra of noir. Cainıs story, Raymond
Chandlerıs script, Wilderıs cunning showmanship and seven Oscar
nods spawned Hollywoodıs dark renaissance of mordant murder
thrillers. It still hasnıt been equaled. |
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Mildred
Pierce |
3:05,
7:20 |
1945,
Warner Bros. 109 min. Dir. Michael Curtiz |
Joan Crawford, Jack Carson,
Zachary Scott, Ann Blyth, Eve Arden, Bruce Bennett. Crawford gives her
signature performance (an Oscar winner) as the ultimate maternal martyr,
in thrall to her own femme fatale daughter! How noir can you get? A
perfect marriage of soap opera and hard-edged pulp. |
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Sunday,
January 18 A Glorious Pair of Lupinos |
_____ |
The
Man I Love |
1:00,
5:00, 9:10 |
1946,
Warner Bros., 96 min. Dir. Raoul Walsh |
Ida
Lupino, Robert Alda, Andrea
King, Bruce Bennett, Martha Vickers. As flinty torch singer Petey Brown,
Ida Lupino offers a radiantly romantic vision of the post-WWII American
woman able to settle everybodyıs hash but her own. As perfect as the
Gershwin tune itıs named for. |
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Road
House |
3:00,
7:00 |
1948,
20th CenturyFox. 95 min. Dir. Jean Negulesco. |
Ida
Lupino, Richard Widmark, Cornell Wilde, Celeste Holm. A
star-powered faceoff between two film noir icons: sassy Ida Lupino and
psychotic Richard Widmark. Sparks fly when Ida takes a job crooning in
Widmarkıs rural roadhouse, but when she throws him over for his boyhood
chum (Cornel Wilde) the joint really starts jumping. |
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Monday,
January 19 Love is a Flame That Destroys |
_____ |
The
Postman Always Rings Twice |
2:50,
7:00 |
1946,
MGM. 113 min. Dir. Tay Garnett. |
Lana Turner, John Garfield. MGM sat on
James M. Cainıs white hot tale of infidelity and murder for twelve
years, before figuring out how to camouflage the storyıs sordid
specifics as a "womanıs picture." |
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Tomorrow
Is Another Day |
1:00,
5:05, 9:30 |
1951,
Warner Bros. 90 min. Dir. Felix Feist. |
Ruth Roman, Steve Cochran. |
Guaranteed
to be the sleeper hit of this yearıs festival! An ex-con and a
dime-a-dance dame flee from a murder and find love on the lam. Virtually
unknown, but packed with revelatory set pieces, this is director Feistıs
low-rent masterpiece. |
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Tuesday,
January 20 Crawford vs. Stanwyck: Round 2 |
_____ |
Possessed |
7:00 |
1947,
Warner Bros. 108 min. Dir. Curtis Bernhardt. |
Joan Crawford, Van Heflin,
Raymond Massey, Geraldine Brooks. Unrequited love spurs Joan Crawford to
schizophrenia, murder, and another Oscar nomination. One of Joanıs most
rarely screened noirs, proudly presented in a recently unearthed 35mm
print. |
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The
Strange Love of Martha Ivers |
9:00 |
1946,
Paramount. 115 min. Dir. Lewis Milestone. |
Barbara Stanwyck, Van Heflin,
Kirk Douglas, Lizabeth Scott. Stanwyck is the cast-iron magnate of an
East Coast steel town. When her childhood boyfriend returns home,
passions are reignited and buried secrets unearthed. Kirk Douglası
movie debut. |
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Wednesday,
January 21 Maughamıs Fallen Women |
_____ |
The
Letter |
1:00,
5:00, 9:00 |
1940,
Warner Bros. 95 min. Dir. William Wyler. |
Bette Davis, Herbert Marshall, James Stephenson, Gale
Sondergaard. From the story by W. Somerset
Maugham. Wife of a Malaysian plantation owner kills her lover in a
fit of jealousy, then concocts a seemingly airtight alibi. Fate, and the
victimıs wife, have other ideas. Steamy and atmospheric, with stylistic
flourishes soon to become noir staples. |
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Christmas
Holiday |
3:00,
7:00 |
1944,
Universal, 93 min. Dir. Robert Siodmak. |
Deanna Durbin, Gene Kelly, Gale
Sondergaard, Dean Harens. A troubled woman spends a stormy night
spinning the tale of her tragic marriage to a murderous Mamaıs boy.
Forget Itıs a Wonderful Life this is our idea of proper Yuletide
fare, served up by noir's preeminent director, from the novel by W.
Somerset Maugham. |
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Thursday,
January 22 Accidents Will Happen |
_____ |
The
Accused |
7:00 |
1949,
Paramount. 101 min. Dir. William Dieterle. |
Loretta Young, Robert
Cummings, Wendell Corey, San Jaffe. A spinsterish college professor
rebuffs a studentıs amorous advances with a tire iron. Now a
murderess, sheıs suddenly irresistible to men. Is that dogged detective
really after the truth or her? |
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The
Reckless Moment |
9:10 |
1949,
Columbia. 82 min. Dir. Max Ophuls. |
Joan Bennett, James Mason, Geraldine
Brooks. Suburban housewife goes to extraordinary lengths to cover up a
murder committed by her daughter. Then roguish blackmailer James Mason
enters the picture: sadist or saint? Recently remade as The Deep End. |
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Friday,
January 23 Technicolor Noir |
_____ |
Leave
Her to Heaven |
7:00 |
1946,
20th Century Fox, 110 min. Dir. John Stahl. |
Gene Tierney, Cornell Wilde,
Jeanne Crain. Donıt let the lush Technicolor gloss fool you this
big-budget melodrama is black at the core, as perverse and malignant as
it got in the 1940s. Novelist Wilde falls for gorgeous Tierney, but has
no idea what horrors lurk behind those gleaming emerald eyes. |
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Desert
Fury |
9:30 |
1947,
Paramount. 95 min. Dir. Lewis Allen. |
Lizabeth Scott, Burt Lancaster,
Mary Astor, John Hodiak, Wendell Corey. A gender-bender, as well as a
genre-bender. Weıre not sure how to classify it, except as outrageously
gay. Will luscious Liz tear apart the special bond shared by gangsters
Hodiak and Corey? Is Astor really her Mom? Just how clueless is beefcake
Burt? Must be seen to be disbelieved. |
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Saturday,
January 24 Women Behind Bars |
_____ |
Caged |
1:00,
5:30, 10:00 |
1949,
Warner Bros. 96 min. Dir. John Cromwell. |
Eleanor
Parker, Agnes Moorehead, Hope Emerson, Jan Sterling. Sentenced to prison for her
role in the failed robbery that killed her husband, a vulnerable
innocent undergoes a degrading transformation. Oscar-nominated Eleanor
Parker gives the performance of her career, surrounded by a cellblock of
great character actresses. |
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I
Want to Live |
3:00,
7:30 |
1958,
United Artists. 120 min. Dir. Robert Wise. |
Susan Hayward, Simon Oakland,
Theodore Bikel |
Based
on San Francisco Examiner articles by Ed Montgomery. . Hayward won an
Oscar for her portrayal of Barbara Graham, a party girl accused of
murder who proclaimed her innocence all the way to Californiaıs gas
chamber. Great Fifties jazz score by Johnny Mandel. |
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Sunday,
January 25 Stanwyck vs. Crawford: Round 3 |
_____ |
Witness
to Murder |
1:15,
5:10, 9:20 |
1954,
United Artists. 83 min. Dir. Roy Rowland. |
Barbara
Stanwyck, George Sanders, Gary Merrill. A distaff Rear Window. Career
woman Stanwyck witnesses neighbor George Sanders strangle a victim in
his swanky digs. Itıs the word of a single woman against a renowned
author (and closet Nazi), so guess whom the LAPD believes? Highlighted
by the brilliant camerawork of noir shadowmeister John Alton. |
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Sudden
Fear |
3:00,
7:00 |
1952,
RKO. 110 min. Dir. David Miller. |
Joan
Crawford, Jack Palance, Gloria Grahame. Back by popular demand is another of
Joan Crawfordıs Oscar-nominated noir thrillers, a huge hit at last yearıs
festival. Playwright Joan marries actor sheıs rejected, doesnıt
realize heıs planning to drop the curtain on her. With vivid support
from Jack Palance and Gloria Grahame. Shot in S.F. |
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Monday,
January 26 Women with a Secret |
_____ |
Crime
of Passion |
7:00 |
1957,
United Artists, 85 min. Dir. Gerd Oswald. |
Barbara
Stanwyck, Sterling Hayden, Raymond Burr. San Francisco newspaper
columnist Barbara Stanwyck falls for virile but passive L.A. cop
Sterling Hayden and abandons her career for a life of suburban ennui.
She soon puts a homicidal spin on keeping-up-with-the-Joneses, including
an affair with noir heavyweight Raymond Burr. |
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The
Velvet Touch |
9:00 |
1948,
RKO. 97 min. Dir. John Gage. |
Rosaliyn
Russell, Leo Genn. Rosalind Russell takes her only trip into
Dark City as a renowned Broadway actress who accidentally kills her
producer. Her greatest performance is covering up the crime. Costarring
Sydney Greenstreet, Claire Trevor, Leo Genn, and Leon Ames. |
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Tuesday,
January 27 Seriously Disturbed Dames |
_____ |
The
Locket |
7:00 |
1946,
RKO. 86 min. Dir. John Brahm. |
Laraine Day, Robert Mitchum, Brian Aherne.
A groom hears myriad wedding-day tales of his brideıs troubled past.
This dazzling and dizzying psychological drama uses a web of
interlocking flashbacks to show how a womanıs childhood obsession for a
prized locket dictates the course of her life. |
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Decoy |
9:00 |
1946,
Monogram. 76 min. Dir. Jack Bernhard. |
Jean
Gillie, Edward Norris, Sheldon Leonard. We proudly present this
long-buried derelict delight! Jean Gillie gives a jaw-dropping
performance as the femme fatale leader of a gang that revives a dead man
from the gas chamber (!) to lead them to buried loot. Pure
squirm-inducing Poverty Row pleasure. Never on television, never
released on video, this is an absolute must-see! |
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Wednesday,
January 28 Woolrichıs Women |
_____ |
Phantom
Lady |
1:20,
5:00, 9:00 |
1944,
Universal. 87 min. Dir. Robert Siodmak. |
Ella
Raines, Allen Curtiz, Franchot Tone, Elisha Cook Jr., Thomas Gomez. Loyal and lovely Ella Raines is
"one hep kitten" as she high-heels her way through the noir
demimonde searching for the missing woman who can save her boss from
execution. Siodmak wrings every bit of shadowy mystery out of writer
Cornell Woolrichıs masterpiece of suspense. |
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Deadline
at Dawn |
3:10,
7:00 |
1946,
RKO. 83 min. Dir. Harold Clurman. |
Susan
Hayward, Bill Williams. Paul Lukas. Snarling, sexy Susan Hayward plays a
taxi dancer who has until sunrise to help a sad-sack sailor clear
himself of an impending murder charge. A classic Cornell Woolrich
premise is given a liberal spin by writer Odets and Group Theatre
founder Clurman, directing the only film of his career. |
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Thursday,
January 29 Double Date with Ann Sheridan |
_____ |
The
Unfaithful |
7:00 |
1947,
Warner Bros. 109 min. Dir. Vincent Sherman. |
Ann Sheridan plays a woman
whose sexual indiscretion leads to murder and a tangled web of deceit.
Isnıt that always the way? Noir scribe David Goodis applies his
typically thorny plotting to this reimagining of The Letter, transposed
to late Fortiesı Los Angeles. With Lew Ayres, Zachary Scott, and Eve
Arden. |
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Woman
on the Run |
9:15 |
1950,
Fidelity Classics. 77 min. Dir. Norman Foster. |
Ann Sheridan returns,
closing out the festival with a reprise of our most popular film from
last year! A poignant love story unfolds as an embittered wife
reluctantly searches for her missing husband, the target of a murderer.
Another chance to catch this long-lost classic, shot entirely on
location in S.F. Costarring the underrated Dennis O'Keefe. |
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__________________________________________________ |
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All
films at the historic Castro Theatre |
129
Castro Street near Market Street San Francisco,
California |
Phone
415 621- 6120 |
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All
films in 35mm | 'Desert Fury' & 'Leave Her to
Heaven' in I.B. Technicolor |
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PUBLIC
TRANSPORTATION : |
The
theatre is accessible by the Market Street subway system "Muni
Metro" lines K, L, M, C and the F Market streetcar. All stop
a few feet from the theatre. Muni bus lines 33,35,37 & 24. BART
riders transfer to Muni Metro at the Embarcadero, Montgomery, Powell or
Civic Center stations. |
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