Danger & Despair's | |||
Thursday Night | |||
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on 16mm Film | |||
Presents: |
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Misunderstood Actresses | |||
with film historian Marc Kagan | |||
Thursday April 28th - Thursday May 19th |
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Thursday April 28th 8:00 pm | ||||||
Subject : Jennifer Jones as | ||||||
'Ruby Gentry' 1952 b&w Director King Vidor - Bernhard-Vidor Productions | ||||||
w/ Charlton Heston, Karl Malden, Tom Tully, Josephine Hutchson & Phyllis Avery | ||||||
Script: Silvia Richards from a story by Arthur Fitz-Richard | ||||||
Cinemaography: Russell Harlan | ||||||
Jennifer Jones 5'8" 120 Pounds Brown Hair Gray-Green Eyes Pisces Real Name: Phyllis Flora Isley Born: March 2, 1919 Place: Tulsa, Oklahoma When Jennifer Jones arrived in Hollywood in 1939, she still called herself Phyllis Isley. Her face and especially her eyes drew the attention of producer David O. Selznick, who did not only allow her a great career but also fell in love with her and finally married Jennifer Jones in 1949. For her role in The Song Of Bernadette (1943), she won an Oscar as best actress. Between the years 1946 and 1949, she consolidated her fame as either the innocent adolescent or the passionate lover: e.g. in Cluny Brown (1946), Love Letters (1945), Duel In The Sun (1946) or |
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Portrait Of Jennie (1948). | ||||||
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Thursday May 5th 8:00 pm | ||||||
Subject : Merle Oberon in | ||||||
'Dark Waters' 1944 b&w Director André De Toth - Benedict Bogeaus Productions | ||||||
w/ Franchot Tone, Thomas Mitchell, Fay Bainter, Elisha Cook Jr. & John Qualen | ||||||
Script : Joan Harrison, Marian Cockrell, Arthur T. Horman & John Huston (uncredited) | ||||||
Story by: Marian & Frank Cockrell | ||||||
Cinemaography: John Mescall & Archie Stout | ||||||
Original Music by Miklos Rozsa | ||||||
Merle Oberon
5'2"
112 Pounds
Black Hair
Brown Eyes
Pisces
Real Name: Estelle Merle O'Brien Thompson
Born: February 19, 1911
Place: India
Died: November 23, 1979
In the annals of motion-picture achievement, Merle stands somewhere
between Marlene Dietrich and Loretta Young. The former is more
consistently exotic and carefully sophisticated; the latter is a
more fashionable mannequin with a more ingratiating, if forced
personality. All three female stars offer contrasting variations of
the personification of the Fountain Of Youth.
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What was Merle's deep secret that she hid for years? | ||||||
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Thursday May 12th 8:00 pm | ||||||
Subject : Hedy Lamarr in | ||||||
'Experiment Perilous' 1944 b&w Director Jacques Tourneur - RKO Radio Pictures | ||||||
w/ George Brent, Paul Lukas, Albert Dekker & Carl Esmond | ||||||
Script : Warren Duff from the novel by Margaret Carpenter | ||||||
Cinemaography: Tony Gaudio ( The Letter 1940 & High Sierra 1941 ) | ||||||
Hedy Lamarr
110 Pounds Black Hair Green Eyes Scorpio Real Name: Hedwig Eva Maria Kiesler Born: November 9, 1913 Place: Vienna, Austria Died: January 19, 2000
Venus, as envisioned by Botticelli, came from the sea and so Hedwig
Kiesler was reborn Hedy Lamarr, with the blessings of Louis B.
Mayer, on the ocean voyage taking her to Hollywood. Internationally
famous as a teenager because of her nude aquatic scene in Ecstasy
(1933) produced in Prague, Czechoslovakia. Undeniably the most
beautiful screen actress of the late 1930s and up to the early 1950s
few would disagree. Her beauty took people's breath away. After a
sensational American film debut in Algiers (1938) and during her
years at MGM, the challenge, the opportunity her mesmerizing beauty
offered as a catalyst --- if not for art at least for compelling
drama --- was continually fumbled.
"Any girl can be glamorous," Hedy once said. "All she has to do is
stand still and look stupid." The film star belied her own apothegm
by hiding a brilliant inventive mind beneath her photogenic
exterior. In 1942, at the height of her Hollywood career, she
patented a frequency-switching system for torpedo guidance that was
two decades ahead of its time and now the cell phones today use that
system.
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Thursday May 19th 8:00 pm | ||||||
Subject : Joan Crawford in | ||||||
'Flamingo Road' 1949 b&w Director Michael Curtiz - Michael Curtiz Productions | ||||||
w/ Zachery Scott, Sydney Greenstreets, David Brian, Gladys George & Gertrude Michael | ||||||
Script : Robert Wilder & Sally Wilder from their play - Edmund North additional dialogue | ||||||
Cinemaography: Ted McCord | ||||||
Original Music by Max Steiner | ||||||
Joan Crawford
5'4"
125 Pounds
Brown Hair
Blue Eyes
Aries
Real Name: Lucille Fay Le Sueur
Born: March 23, 1904
Place: San Antonio, Texas
Died: May 10, 1977
Joan Crawford ---- Superstar!!! That face, those arched eyebrows,
that red slash for a mouth, those high cheekbones, those wide
shoulders and wider shoulder pads, that stare, that walk: That is a
MOVIE STAR! No other cinema actress, before or since, has succeeded
in establishing and maintaining so definite an impression as a
glamorous star. Through her willful and highly concerted efforts,
with exhaustless energy and ambition, Joan set out to become the
best of the movie stars, never entertaining thoughts of failure. Her
first film was Lady Of The Night (1925) and her last was Trog
(1970).
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with Classic Movies Whiz-kid | ||||||
Marc Kagan | ||||||
( as usual, right on the money!! ) | ||||||
Free Admission with a Reservation email: screenings@hotmail.com or call 415 552-1533 for seats | ||||||
Location given through a invitation request - Doors open at 7:00 pm - Films at 8:00 pm | ||||||
Come early for a drink - Enjoy Our No Host Bar - Start your weekend countdown on Thursday night | ||||||
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Programmed & Hosted by Marc Kagan who also wrote the film notes. | ||||||
With a special thanks to Paul Meienberg. | ||||||
Presented by | ||||||
The Danger & Despair Knitting Circle: |
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Roma Dolezal, Alan Rode, Ilene Shapiro, | ||||||
Jim Cassady, Marc Kagan, Edward Dickey, | ||||||
Eddie Sudol, Allen Petrich, Abby Staeble, | ||||||
Don Gieb, Daniela Powers, Paul Meienberg, | ||||||
Jessica Levant, Ron Rich, Marc Dolezal | ||||||
The Thursday Night Screenings are private film events, admission to these events are by |
invitation only through a request and is solely at the discretion of Danger & Despair. |
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